has been an emotional few days for art in Chicago. Everyone has been
getting ready for the influx of people, art, and fun generated by the 3
ring circus of art extravaganza brought on by ArtChicago, the NOVA Art Fair, and Version Fest. And today they are open to the public.
Tom Blackman's ArtChicago ran into difficulties that seem like an extension of what I wrote last year.
There'll be plenty of time in the months ahead to examine what went
wrong and why he had to shift venues at the 11th hour. This will be a
healthy and cathartic exercise.
now what's impressive is that people here have stepped forward and
enabled a show in need to get what it needed - a venue, and a good one
at that. The people at the Merchandise Mart
are consummate professionals and have always been a solid part of the
Chicago cultural community. That they have stepped forward and embraced
our art community is tribute to them and an acknowledgment of the
significance of the arts in Chicago. Bravo. Behind the scenes, over
the past 6 days and awful lot of Chicago's art leaders used their
connections and their lawyers to press forward, eyes ever upward to make
real what seemed impossible - to find a location and do a week's worth
of work in 36 hours. Everyone from the leaders who stepped up to the
plate to the union laborers who put the plate in place have done the
right thing as far as I can tell and participated in making something larger than themselves. I find that noteworthy.
At the ArtChicago
opening preview last night the prevailing sentiment was that "we've
been hit by a tornado and we survived." The show must go on - and go on
it did. Despite a few people who were still installing everyone
actually looked good and were damned pleased to have a place to show
their art - and not only that a ticket to ArtChicago gets you into the Antique Fair too. Definitely worth a look.
And as a result of ArtChicago moving it is now on the same El Line as the NOVA Art Fair. Incredibly accommodating. As you know, I am the Executive Director of the Chicago ART Project
and we are exhibiting the art of 50 Chicago artists at NOVA. There are
about 40 galleries joining a couple of us not-for-profits. I have
never ever participated in an art fair with a better attitude than
NOVA. Efficient and accommodating I feel like they've anticipated our
every need. There are wonderful people presenting a broad array of
strong array of predominantly inexpensive art on 4 floors of a hotel,
with a different exhibitor in each room. It's an absolute blast and
feels much more about art and sharing enthusiasm than about commerce.
I'm proud to be a part of this show.
Speaking of proud - every single person ever involved with the Hyde Park Art Center should stand tall and feel proud of the remarkable accomplishments of Chuck Thurow, Ruth Horwich, Deone Jackman, Claudia Luebbers and Doug Garofalo and their fantastic army of supporters. The brand spanking new Hyde Park Art Center opens with a 36 hour art celebration beginning at 9 AM tomorrow, Saturday.
Also this weekend the Renaissance Society
presents a provocative and for me personally, almost nostalgic look at
the thrust in the 60's and 70's for alternative societies, like hippie
communes. Based in glorious dreams completely lacking pragmatism next to
none of these endeavors survived, but they defined a moment and
residual influences remain from their existence. This exhibition of by Mai-Thu Perret delves into what was and what could have been and takes a closer look particularly at feminism in Chicago.
Okay, back to tonight.
Chicago's Cultural Center has a tour de force exhibit, with a reception tonight, of Nick Cave Soundsuits.
Cave is a special artist with a substantial international reputation
and is a significant example of the immense talent that works and lives
in Chicago and is way under-recognized at home. It is an honor to know
this man and his work, which deals with his African-American heritage,
cultural displacement and resultant multicultural concoctions. This is
great accessible art. Fun for kids; meaningful for adults, beautiful for
all. A giant in our midst.
I am a huge fan of Sabrina Raaf's art, which opens tonight at Wendy Cooper.
I'm pretty sure Sabrina has traveled a few decades into the future and
come back to tell us it's all safe but wacky out there. She makes
fanciful machines that typically interact with their environment and
human activity, like a machine that measures ambient carbon dioxide (the
stuff we exhale) in a room and then draws a green line on the wall
indicating the level of CO2 in the room and thus the number of people
present. Sort of looks like a field of grass around the bottom of the
wall after a bit. Her photographs examine the affect of weightlessness
on contemporary society. And when you talk to her she seems so "normal."
Right next door and opening tonight at Bodybuilder and Sportsman is a titillating show of bodacious female pirates by Don Doe and a new video from D'Nell Larson whose work is about love and romance. Does it surprise me that her parents were lounge singers? Or that this video is about the love songs they sang? Well, yes & no, but I like it.
Across the street Rhona Hoffman has an awesome powerhouse gorgeous, smart exhibition of light works by Spencer Finch.
This work is not just super pretty - it's intelligent, like a piece
that filters the summer light of Texas to recreate the color of Paris,
France at dusk. Brilliant.
More signs of intelligent life exist next door to Rhona at Monique Meloche where Gabert Farrar's
paintings "talk" about language, meaning and metaphors and deconstructs
words through painting to create a painting that exists as
documentation of the process. And they look good too.
Carl Hammer has a powerful show of paintings by David Sharpe,
a graduate of the School of the Art Institute The work explores
painterly issues and personal affinities in a disarmingly charming way.
Strong, fun work that continues to give as we unravel the layers,
meaning and compositional talent that Sharpe always brings to his work.
And for the best art party in town head over to Sharkstock tonight at Wesley Kimler's west side studio where art and music meld, clash and rejoice.
There's no time like the present,