It's hard to believe how much art was on view in Miami this past weekend. 22 art fairs, scads of private collections and gallery receptions. A three day trip filled with at least three weeks of content. I took pictures so you could see and I could remember some of what was on view.
The first stop was the granddaddy of the Miami shows; Art Basel Miami Beach with over 250 galleries and as much collagen and taut skin as you'd never want to see. I refer you to Charles Saatchi's scathing article about the obstreperous, hyperbolic prices and dealers who he says completely lack connoisseurship and and have no concept of what constitutes a good work of art. There's good art, but - with limited exceptions - the cooler, richer and holier than thou attitude pervades. [The first testimonial's first sentence in this morning's ABMB missive is from Iwan Wirth, of Hauser & Wirth, Zurich said; We are thrilled with the response and the continued confidence in investing at a museum-quality level. Well, at least he's honest about it.]
The Pulse Fair started off difficultly. What I'd heard was that the city had cut through a power line and wasn't going to fix it quick, which left half the lights off indiscriminately. Fortunately, the show organizers were prepared with auxiliary power. The art - and the attitude - was so good that I didn't sense people were freaking out. A good, solid fun show, which, with Art Miami, was one of my two favorite fairs.
Scope was highly uneven with more good art that I expected. With all these art fairs selecting (competing for) some 1000+ galleries it's guaranteed that some shows aren't going to be as strong as they want. Each fair's identify evolves as the show's art is installed. And context is important too. Raw plywood floors don't improve 6 digit art and it's perennially difficult for galleries to know how to best present themselves.
I found NADA's space(s) challenging, divided into 3 separated meeting spaces on the ground floor of a hotel with severely wrinkled carpeting. At least the art was better than the venue.
Though I know some people found something redeeming in Red Dot, I found the art so bad and the installations so unfortunate that I couldn't take any pictures. And Verge was so poorly promoted and attended that the exhibitors had checked out; either physically or at least emotionally.

Seven galleries from New York commandeered a large warehouse and presented some of the best and most enticing art I found anywhere; especially Monica Cook's remarkable stop motion video of puppets she's created. .
Above and beyond the 22 art fairs and gallery presentations all over the city, were morning receptions at several private collections (museums). I love visiting Marty Margulies' collection. I've done business with him and he is a passionate, artloving gentleman.
The Rubell's are huge collectors, with a ferocious appetite for unusual and provocative art, some of which I like and a lot of which leaves me feeling like I want to wash.

We've made it to the end. It's wonderful to view other people's pictures of the same events I attended. One could easily have an entire different set of images. Art is subjective - as is my response. I hope you enjoyed my review, but it's only that; my take on what I saw.
On another note, the power of art in revitalizing a city is beautiful to see. These shows and presentations have transformed Miami into an art mecca, a place where folks from three continents are buying second homes and coming several times a year. The museums are expanding and augmenting their programming. Miami has come alive. Great catalyst.
Thank you for making it this far.
On another note, the power of art in revitalizing a city is beautiful to see. These shows and presentations have transformed Miami into an art mecca, a place where folks from three continents are buying second homes and coming several times a year. The museums are expanding and augmenting their programming. Miami has come alive. Great catalyst.
Thank you for making it this far.
Best regards,
Paul Klein


Thank you Paul, for an informative post on Miami. The shear volume of work must be overwhelming to take in.
Thanks for sharing. Now I don't feel so bad that I missed it.
Thanks for the encyclopaedic view of the show, Paul. I'd expect nothing less. From what you've said I would agree that there might have been a pyramid of dreck at the bottom, decent stuff overall, and then a capstone of gold. I am actually glad I didn't go, even though I showed with Perpetual Art Machine. So many times, I feel that the reliance on big names and the sheer formalism/commodity of the work is such that I could just grab a bunch of books and catalogues and have as good of an experience. Also not surprised by Verge.
Paul,
Thank you so much for the overview. For those of us who were not able to get down there this year, it is a welcome newsletter. So appreciate your sharing the wealth!
Many thanks Paul for the review from your perspective, it was exciting to see the variety that caught your eye and made me lurch toward the studio!
Thanks for the overview. I have been very curious about this event. Did you see, The Fountain Miami show?
Thanks for the overview, Paul. I was down there for just a day (after my dog got sick so I had to delay a day!) and only saw Art Basel, Verge and the Aqua Fair. I was disappointed in Art Basel, and am so glad to have your images and impressions....since I didn't make it to many of the others. Aqua was good and an interesting venue for a hotel.
Yeah! Thanks, Paul, for the extensive photo coverage - so great for those of us who didnt make it to Miami.
Thank you. It was wonderful.