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Art Letter (6/4/10) |
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Diaphanous. I like diaphanous and all that, but there are other things in life. I’m seeing it too much. I’d hate to think the rough n’ tumble iconography I associate with Chicago would be supplanted by diaphanous. I like seeing the growth in the work of Heidi van Wierrn and Jerome Powers at Roy Boyd. I’m told both artists continue to apply their medium, be it van Weiren’s inks and paint or Power’s horsehair or graphite, to multiple layers of Elmer’s Glue. I’m not sure they are benefitted by being paired. The show feels a touch crowded. Two different meditations interrupt each other. I was told that Jerome Powers see his pieces as mountain studies and I see them more akin to da Vinci self portraits. Van Weiren grew up on the other side of Lake Michigan. Her newest pieces are studies of the lake. It’s a difficult question to answer; whether the artists were better served in the exhibitions above by the juxtaposition and proximity of other artists?. If you were the artist, if you even had a clue about what the other artists art would look like, would you have spoken up? There’s a lot of responsibility the artist relinquishes to the gallery. At Architrouve is the very talented Donna Hapac, whose art I wouldn’t have thought of as diaphanous unless the theme was already established. Though I’ve been following her for years, her work still feels fresh; perhaps naive. She’s Watch out for angels, Paul Klein
PS: I don’t know if you’ve been to Longman & Eagle, a fabulous artbar right off Logan Square. Elegance for the working crowd. Upstairs is a veritable inn, inaugurating Saturday night with a show of art in the 6 rooms, enable by Harold Arts. There’s a worthy opening night benefit. See you there. |